Micalangelo research paper

Michelangelo was pessimistic in his poetry and an optimist in his artwork. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable personality.

Micalangelo research paper

Michelangelo Jan 11, Michelangelo Essay submitted by Unknown Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo's artwork consisted of paintings and sculptures that showed humanity in it's natural state.

Micalangelo research paper

Michelangelo's poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo's sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it's many revisions trying to complete his vision.

Sculpture was Michelangelo's main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable personality.

We have no clear sense of what the tomb was to look like, since over the years it went through at least five conceptual revisions. The tomb was to have three levels; the bottom level was to have sculpted figures representing Victory and bond slaves.

Micalangelo research paper

The second level was to have statues of Moses and Saint Paul as well as symbolic figures of the active and contemplative life-representative of the human striving for, and reception of, knowledge. The third level, it is assumed, was to have an effigy of the deceased pope.

The tomb of Pope Julius Micalangelo research paper was never finished. What was finished of the tomb represents a twenty-year span of frustrating delays and revised schemes. Michelangelo had hardly begun work on the pope's tomb when Julius commanded him to fresco the ceiling of the Sistine Chapel to complete the work done in the previous century under Sixtus IV.

The overall organization consists of four large triangles at the corner; a series of eight triangular spaces on the outer border; an intermediate series of figures; and nine central panels, all bound together with architectural motifs and nude male figures.

The corner triangles depict heroic action in the Old Testament, while the other eight triangles depict the biblical ancestors of Jesus Christ. Michelangelo conceived and executed this huge work as a single unit. It's overall meaning is a problem. The issue has engaged historians of art for generations without satisfactory resolution.

The paintings that were done by Michelangelo had been painted with the brightest colors that just bloomed the whole ceiling as one entered to look.

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The ceiling had been completed just a little after the Pope had died. The Sistine Chapel is the best fresco ever done.

Michelangelo embodied many characteristic qualities of the Renaissance. An individualistic, highly competitive genius sometimes to the point of eccentricity. Michelangelo was not afraid to show humanity in it's natural state - nakedness; even in front of the Pope and the other religious leaders.

Michelangelo portrayed life as it is, even with it's troubles. Michelangelo wanted to express his own artistic ideas. The most puzzling thing about Michelangelo's ceiling design is the great number of seemingly irrelevant nude figures that he included in his gigantic fresco. Four youths frame most of the Genesis scenes.

We know from historical records that various church officials objected to the many nudes, but Pope Julius gave Michelangelo artistic freedom, and eventually ruled the chapel off limits to anyone save himself, until the painting was completed.

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The many nude figures are referred to as Ignudi. They are naked humans, perhaps representing the naked truth. More likely, I think they represent Michelangelo's concept of the human potential for perfection.

Michelangelo himself said, "Whoever strives for perfection is striving for something divine. Michelangelo has a very great personality for his time. In Rome, inMichelangelo was at work on the Last Judgment for the altar wall of the Sistine Chapel, which he finished in The largest fresco of the Renaissance, it depicts Judgment Day.

Christ, with a clap of thunder, puts into motion the inevitable separation, with the saved ascending on the left side of the painting and the damned descending on the right into a Dantesque hell. As was his custom, Michelangelo portrayed all the figures nude, but prudish draperies were added by another artist who was dubbed the "breeches-maker" a decade later, as the cultural climate became more conservative.

Michelangelo painted his own image in the flayed skin of St. Although he was also given another painting commission, the decoration of the Pauline Chapel in the s, his main energies were directed toward architecture during this phase of his life.

Instead of being obedient to classical Greek and Roman practices, Michelangelo used motifs-columns, pediments, and brackets-for a personal and expressive purpose.

Micalangelo research paper

A Florentine-although born March 6,in the small village of Caprese near Arezzo-Michelangelo continued to have a deep attachment to his city, its art, and its culture throughout his long life.Oxbridge essays student roommates asian american history essay papers tourist attractions in sri lanka essay, large group ice breakers introductions in essays .

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Custom Research Paper Services - Learn about all of Paper Masters' custom research paper and . Michelangelo's mother died when he was six in He lived with a stone cutter and his wife and family. I: He later said, "If there is some good in me, it is because I was born in the subtle atmosphere of your country of Arezzo.

Michelangelo was one of the first to use oil paint for such a large painting over a huge area - the Sistine Chapel's ceiling. Regarding his drawings, Michelangelo wanted to make them as realistic as possible - not just for his artwork, but because the human body had never been explored scientifically before.

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